So today was pretty exciting. I went to a production meeting (where they talked about curtains for a great deal of the time), completed the remainder of the tour of the building (I think), cleaned and bench-focused some lights, and met some new people! Here's the in-depth version:
The allocation of resources is something that we've talked about at work before. No matter how much shit you have, you're going to want more than you can have. Of course, someone has to say no and then you need to cut back. Or sometimes you say no as a designer for a variety of reasons. At dear old GAC we tend to say no because of a lack of resources or simply because we no longer have that sort of time and energy to give to that particular project. However, today I heard the lighting designer say no because she only has 2 electricians to complete the changeover in the alloted time frame. I know that changeovers can be stressful, but it was a reality check that I would be a part of this frenzy in a few weeks after hearing her say that we just couldn't do it. Afterwards, I talked to her later and found out that I would be giving focus notes to the staff electrician and master electrician while they climbed around on the trusses supported by a harness or hung lights from the genie. It's pretty cool, actually. I'll be in charge of the paperwork in a very fast-moving environment, which I hope will give me the professional experience of fast-moving theatre that we just don't get in Gustavus's cushy educational setting. Don't get me wrong, we get shit done fast, but usually just because we want to go home. Here, it will be do or die. I hope I don't screw up because I'm trying to keep up, but I think I have a fairly good handle on the things I need to accomplish. As it is an internship, she expects to take the time to go through how to do focus charts, track moving light palettes, and use Lightwright. I'll gain all of those skills and be able to use them while I'm working on my senior project.
At the meeting I also met the sound intern, Kevin. He'll be around for the TAT show (which stands for Theatre Arts Training, as I read on the sign I've walked by everyday this week without realizing it) so I should be getting to know him better then. He seems pretty cool, so I have high hopes that it will be a fun working environment (despite the fast pace!)
Anyway, I toured the remainder of the theatre today with Dave, who is super awesome. He pointed out all of the features that make their lives easier or more difficult, talked about the history of the architecture, fixtures, dimmer system, and staff as well as the stages of building that they underwent during the construction of the Cargil Theatre. Dave showed me each lobby and the various areas of the grid and catwalks, talking about the initial plans, where they got cut or messed up, and how that's affected what they do. It's pretty interesting to hear about what they wanted and how they had to cut back in some places and also just the few mis-communications that ended up changing a few things. For example, they didn't know that the building company was going to put the remainder of the AC vents on the top of the old theatre and got an unexpected surprise when there was a giant section of their dimmer room that was suddenly walled off. It meant that they couldn't install as many dimmer racks, which was sort of a bummer, as you could imagine.
Also, yesterday I wrote about climbing up to the mainstage grid. I wanted to clarify that the floor I was standing on was 73' feet above the stage height. It was sweet, but climbing the straight ladder was freaky. I still feel cool that I did that.
Also, I cleaned some fixtures today and realized that it is very easy to put a source four together "upside down." If you don't know what I mean, come visit me at school and I will show you how some of our instruments look and how they need to be put together correctly. Or take my word for it.
I also learned a lot while bench focusing today, which basically means putting the hotspot of the light in the center and making sure that it isn't too hot or too flat. It's a bit tricky, but definitely worth fixing. I would love to bench focus the source fours at GAC before I'm forced to use them for my lighting design. There have been a lot of times when we need to have the lights fixed, but we're not supposed to touch the bench-focusing knobs (because we could make it way worse if we don't know what we're doing, so I get it), but my supervisor who happens to do five million things, doesn't exactly have time to sit and bench focus lights during tech. That's why I would want to do it before hand. I'll let you know how ambitious I feel later and we'll see if that gets done.
While bench focusing, I learned about the various instruments. There were some pretty cool innovations that were made along the way, so it was fun to see the progression throughout the history of just the lights that they have at CTC. I can write more tomorrow or you could ask me any questions you have, but in short, it was absolutely fascinating.
I didn't work on my sound design project last night. I talked to my aunt in Fargo on the phone for 45 min about the storms that hit there last night and all the exciting reality tv shows that we watch. I will shamelessly admit I watch Hell's Kitchen. It's fantastic. I even got my boyfriend Matt hooked on it. Speaking of him, you may want to check out his brand-spanking new blog:
http://chembromance.blogspot.com
Now that I've bored/entertained you for the evening, I hope you have a lovely Thursday tomorrow. I certainly will, as I'm meeting my awesome friend Trevor for dinner. And wouldn't you know it, he has a blog too! So in case you want to read that one (Cuz his is by far the least nerdy of the three of ours), his is here:
http://theorangesplotch.blogspot.com/
Have a great night and I'll hopefully be back tomorrow to tell you about my sweet internship. Remember, when the words fail you, you'll probably still sound cooler than me.